Dostupnosť:
dodacia doba 7-28 dní
Katalógové číslo:
CKD 310
Autori:
Anthony Holborne, Claudio Monteverdi, Dieterich Buxtehude, Francisco Correa de Arauxo, François Couperin, Georg Bohm, Georg Muffat, Giovanni Gabrieli, Heinrich Schütz , Henry Purcell, Jan Pieterszoon Sweelinck, John Dowland, Juan Cabanilles, Karl Heinrich Biber von Bibern, Louis Marchand, LULLY Jean-Baptiste
Interpreti:
Jonathan Freeman-Attwood
Arauxo:
Tiento de medio registro, No. 36
Biber:
Fidicinium sacro-profanum: Sonata VIII
Böhm, G:
Choral Prelude: Vater unser in Himmelreich
Buxtehude:
Chorale Prelude BuxWV 184 'Ein feste Burg ist unser Gott'
Cabanilles:
Tiento XVII de 'Pange lingua' punt alt
Couperin, F:
Cromhorne en Taille
Dowland:
When the poore Criple (A Pilgrimes Solace)
Gabrieli, G:
Canzon II
Holborne:
Dovehouse Pavan & Galliard
Lully:
Scocca pur
Marchand, L:
Grand Dialogue in C major
Monteverdi:
Laudate Dominum from Selva morale e spirituale
Muffat, Georg:
Sonata No. 5 in G Major
Purcell:
Fantazia 4 in G minor, Z. 735
Schütz:
Der Herr ist gross, SWV 286
Sweelinck:
Onder een linde groen, SwWV 325
Jonathan Freeman-Attwood (trumpet), Daniel-Ben Pienaar (piano)
Hybrid SACD - DSD / 2008
“Trumpet Masque” sees renowned trumpeter Jonathan Freeman-Attwood explore his passion for expanding the instrument’s limited chamber repertoire by imaginatively arranging Baroque works previously scored for alternative forces.
In “Trumpet Masque”, Jonathan Freeman-Attwood and Daniel-Ben Pienaar take a radical new look at the 17th century with a compelling vision of repertoire historically far-removed from the traditional contexts of both trumpet and piano.
Through wonderfully vibrant programming and arrangements, this invigorating and warm-hearted chamber duo present music from Dowland to Purcell in an energetic, innovative and 21st century fashion.
The aim of this recording is to open our ears to a period of unequalled variety, colour, regional diversity and expressive freedom: the Venetian world of Gabrieli, the great pre-Bach North German lineage of Buxtehude, Jacobean dances and songs and the great G major sonata from Muffat’s ‘Armonico Tributo’ with its virtuoso and valedictory passacaglia, which appropriately ends the disc.