Košík
Váš košík je momentálne prázdny.
Byrd: Complete Harpsichord & Organ Music (9CD)
41,00 €
Formát:
CD BOX
Dostupnosť:
7-14 dní
Katalógové číslo:
97074
EAN kód:
5028421970745
Autori:
William Byrd
Interpreti:
Pieter-Jan Belder
Vydavateľ:
BRILLIANT CLASSICS
Zoznam skladieb
CD 11 Jhon, Come Kisse me Now, BK81
2 Pavan, BK16a
3 Galliard, BK16b
4 Pavan Ph[ilippa] Tr[egian], BK60a
5 Galliard, BK60b
6 Ladye Monteagle’s Pavan, BK75
7 A Ground, BK9
8 The Queenes Alman, BK10
9 If my complaints, BK103 (Pipers Galliard)
10 Pavan the Earl of Salisbury, BK15a
11 Galliards, BK15b/c
12 Susanna Fair, MBLV50 (123)
13 An Alman, BK117
14 Echo Pavan, BK114a
15 Galliard, BK114b
16 Pavan, BK76
17 Galliard, BK77
18 The Bells, BK38
19 Robbin Hood, MBV63
20 Pavan, BK100a
21 Galliard, BK100b
CD 2
1 A Praeludium, BK116
2 Ut, re, mi, fa, sol, la, BK58
3 Three French Coranto’s, BK21
4 O quam gloriosum est regnum, BK119
5 ….Secunda pars, BK120
6 Goe from my Windoe, BK79
7 A Horne Pype, BK39
8 Pavana lachrymae, BK54
9 Galiarda, BK55 (Harding set by Byrd)
10 Paven, BK73a
11 Galiard, BK73b
12 A Grounde, BK43
13 Pavion, BK23a
14 Galliard, BK23b
15 A Fancy, MBLV55 (arr. Tomkins)
16 If my Complaints or Pypers gal[iard], BK118
17 Pavan, BK33a
18 Galliard, BK33b
19 Care for thy Soule, MBLV52
20 Galliardo Mris. Marye Brownlo, BK34
21 Paven, BK72a
22 Galliard, BK72b
23 Parludam, BK115
24 A Grounde, BK86
CD 3
1 La volta, BK91
2 Pavan, BK99a
3 Galliard, BK99c
4 Quadran pavan, BK70a
5 Quadran galliard, BK70b
6 The Hunt’s up, BK40
7 Pavana, BK4a
8 Galliarda, BK4b
9 Prelude in A Minor, BK12 (First Version)
10 Fantasia in A Minor, BK13 (First Version)
11 Pavana, BK52a
12 Galliarda, BK52b
13 Fantasia in G Major, BK62
14 Wolsey’s/Wilson’s Wilde, BK37
15 Ut mi re, BK65 (First Version)
16 O mistris myne, BK83
17 The Ghost, BK78
CD 4
1 Sir John Gray’s Galliard, BK104
2 Gipseis Round, BK80
3 Monsieurs Alman, BK44
4 Malt’s Come Down, BK69
5 A Medley, BK62
6 Pavana Delight, BK5a
7 Galliarda [Delight], BK5b
8 Miserere 3 Parts, BK48 (First Version)
9 Miserere 4 Parts, BK49 (First Version)
10 Callino casturame, BK35
11 Pavan Bray, BK59a
12 Galliarda [Bray], BK59b
13 A Gigg, BK22
14 Prelude, BK24
15 Pavan, BK101
16 Corranto, BK45
17 Fortune, BK6
18 Alman, BK11
19 Galliard, BK53
20 Monsieurs Alman, BK87
21 Alman, BK89
22 La volta (Morley set by Byrd), BK90
23 In Nomine, BK51(Parsons, set by Byrd)
CD 5
1 Prelude in G Minor, BK1
2 Fantasia in G Major, BK63
3 Christe, qui lux [es et dies], BK121
4 Fantasia, MBLV55 (Byrd arr. Thomas Tomkins)
5 In nominee, BK51 (Parsons set by Byrd)
6 Ut re mi, BK65
7 Gloria tibi trinitas, BK50
8 A Ground, BK9
9 Prelude & Fantasia in A Minor, BK12&13
10 The Queens Alman, BK10
11 Voluntary for my Lady Nevell, BK61
12 Pavan Lachrymae, BK54 (Dowland arr. Byrd)
13 Fantasia in G Major, BK62
CD 6
1 Fantasia A Lesson in Voluntaire in C Major, BK26
2 Miserere, BK66
3 Miserere, BK67
4 Ut, re, mi, fa, sol, la, BK58
5 Ut, re, mi, fa, sol, la, BK64
6 A Verse of Two Parts, BK28
7 A Fancie in D Minor, BK46
8 Salvator Mundi, BK68
9 Salvator Mundi, BK69
10 A Voluntarie in C Major, BK27
11 Clarifica me, BK47
12 Clarifica me, BK48
13 Clarifica me, BK49
14 Prelude and Fantasia in C Major, BK24&2
CD 7
My Ladye Nevells Booke, IWB 162
1 I. My Ladye Nevels Grownde, MB57
2 II. Qui passe for my Ladye Nevell, MB19
3 III. The Marche Before the Battell, MB93
4 IV. The Battell, MB94 - The Souldiers Sommons - The Marche of the Foote Men - The Marche of the Horsmen - The Trumpetts - The Irishe Marche - The Bagpipe and the Drone - The Flute and the Droome - The Marche to the Fight - The Retreat
5 V. The Galliarde for the Victorie, MB95
6 VI. The Barelye Breake, MB92
7 VII. A Galliards Gygge, MB18
8 VIII. The Huntes Upp, MB41
9 IX. Ut Re Mi Fa Sol La, MB64
10 X. The Firste Pavian, MB29
11 XI. The Galliarde to the Same
12 XII. The II Pavian, MB71
13 XIII. The Galliarde to the Same
14 XIV. The III Pavian, MB14
15 XV. The Galliarde to the Same
CD 8
My Ladye Nevells Booke, IWB 162
1 XVI. The IIII Pavian, MB30
2 XVII. The Galliarde
3 XVIII.The V Pavian, MB31
4 XIX. The Galliarde
5 XX. Pavana the VI. Kinbrugh Goodd, MB32
6 XXI. The Galliard
7 XXII. The Seventh Pavian, MB74
8 XXIII. The Eighte Pavian, MB17
9 XXIV. The Passinge Mesures Pavan, MB2
10 XXV. The Galliarde
11 XXVI. A Voluntarie for my Ladye Nevell, MB61
12 XXVII. Will Yow Qalke the Woodes Soe Wylde, MB85
13 XXVIII. The Maidens Song, MB82
14 XXIX. A Lesson of Voluntarie, MB26
15 XXX. The Seconde Grownde, MB42
CD 9
My Ladye Nevells Booke, IWB 162
1 XXXI. Have with Yow to Walsingame, MB8
2 XXXII. All in a Garden Grine, MB56
3 XXXIII. Lord Willobies Welcome Home, MB7
4 XXXIV. The Carmans Whistle, MB36
5 XXXV. Hughe Ashstons Ground, MB20
6 XXXVI. A Fancie, MB25
7 XXXVII. Sellingers Rownde, MB84
8 XXXVIII. Munsers Almaine, MB88
9 XXXIX. The Tenthe Pavian, Mr W Peter, MB3
10 XL. The Galliard
11 XLI. A Fancie, MB46
12 XLII. A Voluntarie, MB27
Popis
Byrd's vocal works would have assured him a place in history as the greatest English composer of his generation. Yet he was also the outstanding composer of his time in the realm of instrumental music - indeed, probably the first musician to achieve supreme stature simultaneously in music for voices, for instrumental consort and for solo keyboard instrument.
This richly imaginative and polished music gives no hint of its pioneer nature; considering the keyboard tradition, or rather the apparent lack of tradition before Byrd, the originality of his achievement is awesome. His genius is to transfer with such apparent ease his ideas from the brain to the page, and to the keyboard, without spoiling their freshness in the process. ‘The Naturall inclination and love to the Art of Musicke,’ he wrote, ‘wherein I have spent the better part of mine age, have been so powerfull in me, that even in my old yeares which are desirous of rest, I cannot containe my selfe from taking some paines therein.’
His words indicate not only a continually refreshed wellspring of imagination but also a perfectionist temperament that continually drove him to refine his technique. In the hands of Pieter-Jan Belder, whose experience in the field of 17th-century keyboard music is almost unrivalled, these songs and dances and themes and variations seem to develop and unfold as naturally as a tree buds and spreads.
Only one recording of Byrd’s complete music for keyboards has been made before now, and it is now unavailable, leaving this new recording by Pieter-Jan Belder in magnificent solitude. The collection begins with two discs of pieces for organ, played on a trio of Dutch instruments chosen for their varied colours and sizes. CD3 and 4 contains the pieces to be found in the Fitzwilliam Virginal Book, of which Belder made the first ever complete recording for Brilliant Classics. The last three discs are dedicated to My Lady Nevells Booke, the beautifully preserved collection which most comprehensively preserves his contribution to keyboard literature. Prihlásenie
Newsletter
Copyright 2014-2024 © Hummel Music