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Anthony Romaniuk - Perpetuum
15,00 €
7-14 dní
Katalógové číslo:
EAN kód:
Dmitri Shostakovich, Erik Satie, Franz Schubert, Giovanni Girolamo Kapsberger, György Ligeti, Henry Purcell , Igor Stravinskij, Igor Stravinsky, Johann Sebastian Bach, John Adams, Ludwig van Beethoven, Maurice Ravel, Penguin Cafe Orchestra, Philip Glass, Robert Schumann
Anthony Romaniuk
Zoznam skladieb
1 John Adams: China Gates
2 Erik Satie: Pièces froides: II. Danses de travers, 1. En y regardant à deux fois
3 Johann Sebastian Bach: Suite in E major, BWV 1006a: 1. Prélude (arr. Anthony Romaniuk)
4 Penguin Cafe Orchestra: Perpetuum Mobile
5 György Ligeti: Etude No.4 - Fanfares
6 Franz Schubert: 4 Impromptus, D.899 - 3. Andante
7 Anthony Romaniuk: Shadings (Improvisation)
8 Henry Purcell: A New Ground in E minor, ZT 682
9 Erik Satie: Pièces froides: II. Danses de travers, 2. Passer
10 Anthony Romaniuk: Parabola (Improvisation)
11 Igor Stravinsky: Piano Sonata, K043: I. Quarter note = 112
12 Johann Sebastian Bach: Toccata in E minor, BWV 914
13 Philip Glass: Etude No.2
14 Robert Schumann: Faschingsschwank aus Wien, Op.26: 4. Intermezzo
15 Maurice Ravel: Le tombeau de Couperin, M.68: 1. Prélude. Vif
16 Anonymous: Uppon la mi re
17 Dmitri Schostakowitsch: Prelude in A minor No.2, Op.87
18 Anonymous: Improvisation upon 'Uppon la mi re'
19 Ludwig van Beethoven: Piano Sonata No.17, Op.31 No.2: 3. Finale
20 Erik Satie: Pièces froides: II. Danses de travers, 3. Encore
21 Giovanni Kapsberger: Toccata Arpeggiata
Anthony Romaniuk, multi-keyboardist, alchemist of pianos, or ‘musical polyglot’ as some people call him, presents his new album as follows: ‘I remember very clearly the occasions in my childhood when I would be at a concert and a magical feeling would overtake both the audience and the performers. It was as though everyone in the room was part of the performance and we were all experiencing a kind of collective bliss. As an adult I have tried to understand this phenomenon of communal concentration. It seems to me that a certain kind of musical work will naturally induce this state, works in which the rhythm is hypnotic, trance-like and ongoing. For this album I wanted to find music embodying this quality, pieces in perpetual motion.’ As if in some fascinating portrait gallery, we meet music by Kapsberger, Scarlatti, Purcell, Bach, Beethoven, Schubert, Schumann, Shostakovich, Stravinsky, Ravel, Satie, Ligeti, Adams, and improvisations, played on a Fazioli concert piano, a Graf fortepiano from 1835, a Flemish muselar, a seventeenth-century harpsichord, a Yamaha CP80 electro-acoustic piano and a Prophet Rev2 synthesizer.
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