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Bomba Flamenca
16,00 €
Formát:
CD
Dostupnosť:
na sklade / dostupné okamžite
Katalógové číslo:
ALPHA1216
EAN kód:
3701624512166
Autori:
Various Artists
Interpreti:
La Tempête, Simon-Pierre Bestion
Vydavateľ:
ALPHA
Zoznam skladieb
Dátum vydania: 24. 4. 20261 Anonymous: Taqsim (Prélude improvisé d'après un traditionnel d’Afrique du Nord) 2:31
2 Clément Janequin, Mateo Flecha: La Guerre (Extract) - La Bomba 4:36
3 Luis de Narvaez: Mille regres 3:16
4 Cristobal de Morale: Missa Mille regretz: I. Kyrie eleison 5:10
5 Anonymous: Nawa athar (D’après un traditionnel Arabo-andalou) 3:27
6 Nicolas Gombert: Musae Jovis 5:28
7 Maître Albert de Paris: Congaudeant catholici (Extract) 4:37
8 Juan del Encina: Una sanosa porfia 5:24
9 Anonymous: Ad mortem festinamus (D’après le Llibre Vermell de Montserrat) 2:30
10 Thomas Crecquillon: Lamentationes hieremiae prophetae: Mem 6:08
11 Anonymous: Irme kero madre a Yerushalayim (D’après un traditionnel séfarade) 5:16
12 Anonymous: Vidi sub ara Dei (Chant mozarabe issu du Cantorales Mozarabes de Cisneros) 2:50
13 Pedro de Escobar: Missa pro defunctis: Sanctus - Benedictus 5:31
14 Marbriano de Orto: Lamentationes hieremiae prophetae: Gimel 5:47
15 Pedro de Escobar: Missa pro defunctis: Agnus Dei 4:11
16 Antonio de Cabezón: Magnificat (D’après le Fabordon y glosas del primer tono) 4:32
17 Mateo Flecha: El fuego 7:27
18 Cristobal de Morales: Parce mihi, Domine 4:33
Popis
Simon-Pierre Bestion immerses us in the world of Charles V and a Spain marked by Arab-Andalusian culture. From 1515 onwards, Spain also welcomed musicians and singers from Flanders: this Capilla flamenca had an explosive effect on Spanish music during the Renaissance, according to Bestion. He has composed an imaginary Requiem for the death of Charles V, using compositions actually intended for this service, such as Pedro de Escobar's Missa pro defunctis and Cristobal de Morales' Missa Mille regretz, based on the emperor's favourite song. As usual, the founding conductor of La Tempête takes a few liberties and breathes life into these works by arranging them with variations in timbre, tempo and expression: ‘I chose to make extensive use of percussion and certain very distinctive instruments such as the shawm and sackbuts, which perfectly match the spirit of outdoor processions, such as those in the gardens of the Alhambra.’Prihlásenie
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