Dostupnosť:
na sklade / dostupné okamžite
Katalógové číslo:
ALPHA 1156
Autori:
Jacques Chambonnieres, Jean-Henri d´Anglebert, Johann Jakob Froberger
Dátum vydania: 22.8.2025
Louise Acabo (Cembalo)
tracks:
John Roberts: Melothesia
Prelude (I)
Allmain
Chambonnières: Almaine. Courante
Chambonnières: Sarabande (I)
Chambonnières: Gigue "La madeleinette"
Anglebert: Pièces de clavecin, suite No. 3 in D Minor: I. Prélude
Chambonnières: Les Pièces de Clavessin, Livre 1: Allemande "la Rare"
Chambonnières: Courante
Locke: Saraband (I) [Arr. for Harpsichord by William Thatcher]
Mr. Bryan: Ayre
Mr. Bryan: Saraband (II)
Chambonnières: La Vétille. Gigue
Froberger: Plaincte, faite à Londres pour passer la Mélancholie
Locke: Melothesia
Prelude (II)
Almain
Chambonnières: Les Pièces de Clavessin, Livre 1: Courante "Iris"
Locke: Melothesia: Country Dance
Chambonnières: Les Pièces de Clavessin, Livre 1: Pavane "L’entretien des dieux"
Froberger: Suite XVIII in G Minor
I. Allemande
II. Gigue
III. Courante
IV. Sarabande
Anglebert: Pièces de clavecin, Suite in G Major: Chaconne en rondeau
Christopher Preston: Melothesia: Prelude (III)
Chambonnières: Pièces de clavessin, Livre II: Allemande
Anglebert: Sarabande Chambonnières (avec Double) - Double
Jacques Champion de Chambonnières, Jean Henri d'Anglebert: Courante - Double
Chambonnières: Sarabande (II)
Anglebert: Pièces de clavecin, Livre I: Tombeau de Mr de Chambonnières
Alpha Classics proudly presents "Baroque Stories", a new recording series dedicated to young early music talents. The first recording introduces Louise Acabo, a French harpsichordist and winner of several international competitions, who lives between Paris and Basel. She dedicates her debut recording to Jacques Champion de Chambonnieres (ca. 1601-1672), the composer of over 150 harpsichord pieces and the first French musician of the 17th century to publish volumes of works for harpsichord. "Once you have heard the harpsichord of the Sieur de Chambonnieres, you need hear nothing else," it says in the Harmonie universelle of 1636. It was this unique relationship with sound that appealed to Louise Acabo: "His compositions, which are decidedly vocal, require the player to overcome the mechanical aspect of the instrument and approach its strength and fragility with suppleness." Although Chambonnieres never left France, his work crossed borders and influenced composers abroad, particularly those in England. Louise Acabo has compiled her own list of works from available sources, alternating works by Chambonnieres with compositions by Locke, Preston and Bryne.