Anonymous: Gregorian Chant for Good Friday: Hymnus: Crux fidelis
Gregorian Chant for Good Friday: Hymnus: Crux fidelis
Josquin des Prez: Ave Maria
Ave Maria
John Taverner: Missa Gloria tibi Trinitas
Missa Gloria tibi Trinitas: Sanctus (excerpts)
John Taverner: Christe Jesu, pastor bone
Christe Jesu, pastor bone
Anonymous: In manus tuas
In manus tuas Domine
William Byrd: Laudibus in sanctis
Laudibus in sanctis
Giovanni Pierluigi da Palestrina: Missa Aeterna Christi Munera
Missa Aeterna Christi Munera: Agnus Dei
Tomas Luis de Victoria: Missa O magnum mysterium
Missa O magnum mysterium: O magnum mysterium
Anonymous: Vespro della Beata Vergine, "composti sopra canti fermi"
Vespers of the Blessed Virgin: Psalm 112: Laudate pueri dominum
Anonymous: Jonas (Jonah)
XX. Historicus
XXI. Ninevitae a 8
Martin Luther: Geistliche Chormusik, Op. 11, SWV 369-397
Die mit Tranen saen, SWV 378
Heinrich Schutz: Die Geburt unsers Herren Jesu Christi, SWV 435
Weinachtshistorie, SWV 435 (The Christmas Story): Intermedium IV: Die Weisen (The Wise Men)
Anonymous: Salve Regina a 3 choeurs, H. 24
Salve Regina, a trois choeurs, H. 24
Anonymous: O God, the king of glory
O God, the king of glory
Thomas Weelkes: Hosanna to the Son of David
Hosanna to the Son of David
Henry Purcell: O God, thou hast cast us out, Z. 36
O God, thou hast cast us out, Z. 36
Martin Luther: Ein feste Burg ist unser Gott, BWV 80
Ein feste Burg ist unser Gott (Chorus)
Chorale: Und wenn die Welt voll Teufel war
Chorale: Das Wort sie sollen lassen stahn
Johann Sebastian Bach: Christmas Oratorio, BWV 248
Recitative: Da Jesus geboren war zu Bethlehem… (Evangelist)
Chor und Recitative: Wo ist der neugeborne Konig der Juden? (Alto)
Chorale: Dein Glanz all Finsternis verzehrt (Chorus)
George Frideric Handel: Te Deum in D major, HWV 283, "Dettingen": O Lord, in Thee have I trusted
Te Deum in D major, HWV 283, "Dettingen": O Lord, in Thee have I trusted
George Frideric Handel: Samson, HWV 57: Act III Scene 3: Air and Chorus: Let the bright Seraphim in burning row
Samson, HWV 57: Act III Scene 3: Air and Chorus: Let the bright Seraphim in burning row
Wolfgang Amadeus Mozart: Mass No. 18 in C minor, K. 427, "Great"
Mass No. 18 in C minor, K. 427, "Great": Gloria: Gloria
Franz Joseph Haydn: Mass No. 11 in D minor, Hob.XXII:11, "Nelsonmesse", "Imperial Mass", "Coronation Mass"
Benedictus: Benedictus qui venit
Benedictus: Hosanna in excelsis
Franz Joseph Haydn: Die Schopfung (The Creation), Hob.XXI:2
Die Schopfung (The Creation), Hob.XXI:2: Part I, No.2: Nun schwanden vor dem heiligen Strahle
Felix Mendelssohn: Psalm 42, Op. 42
Psalm 42, Op. 42: Finale: Warum betrubst du dich (Chorus)
Anton Bruckner: Os justi, WAB 30
Os justi, WAB 30
Gabriel Faure: Requiem, Op. 48
Requiem, Op. 48: In paradisum
Johannes Brahms: Ein deutsches Requiem (A German Requiem), Op. 45
A German Requiem, Op. 45: Wie lieblich sind Deine Wohnungen
Hector Berlioz: Romeo et Juliette, Op. 17
Romeo et Juliette, Op. 17: Prologue: Latent Ancient Hatreds
Anonymous: Symphony No. 8 in E flat major, "Symphony of a Thousand"
Veni, creator spiritus
Imple superna gratia
Charles Villiers Stanford: 8 Partsongs, Op. 119
8 Partsongs, Op. 119: No. 3: The blue bird
Francis Poulenc: Gloria
Gloria: Quie sedes ad dexteram Patris
Ralph Vaughan Williams: Mass in G minor
Mass in G minor: Sanctus - Osanna I
Eric Crozier: Saint Nicolas, Op. 42
St. Nicolas, Op. 42: He journeys to Palestine
Benjamin Britten: Antiphon, Op. 56b
Antiphon, Op. 56b
Arvo Part: Cantate Domine Canticum Novum
Cantate Domine Canticum Novum
Discover Choral Music surveys and explains the development of choral music from medieval plainchant to contemporary favourites such as John Rutter and Arvo Pärt, via Renaissance motets, oratorios by Bach and Handel, and symphonies by Beethoven, Berlioz and Mahler.