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Papandopulo: Flute & Harpsichord Concertos
 
10,00 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
777941-2
 
 
EAN kód:
761203794126
 
 
Autori:
Boris Papandopulo
 
 
Interpreti:
Südwestdeutsches Kammerorchester Pforzheim
 
 
Vydavateľ:
CPO
 
 
Zoznam skladieb
Papandopulo: Piccolo Concerto
14:37

Südwestdeutsches Kammerorchester Pforzheim
Timo Handschuh
Michael Martin Kofler (piccolo)
Recorded: 20 February 2015
Recording Venue: Ev. Matthäuskirche, Pforzheim-Arlinger, Germany

Piccolo Concerto: I. Predigra
4:14

Piccolo Concerto: II. Romanca
6:00

Piccolo Concerto: III. Igra
4:23

Papandopulo: Harpsichord Concerto
21:57

Südwestdeutsches Kammerorchester Pforzheim
Timo Handschuh
Jörg Halubek (harpsichord)
Recorded: 7-9 July 2016
Recording Venue: Ev. Matthäuskirche, Pforzheim-Arlinger, Germany

Harpsichord Concerto: I. Toccata
6:30

Harpsichord Concerto: II. Aria
8:52

Harpsichord Concerto: III. Rondeau
6:35

Papandopulo: 5 Orchestral Songs
24:09

Südwestdeutsches Kammerorchester Pforzheim
Timo Handschuh
Miljenko Turk (baritone)
Recorded: 7-9 July 2016
Recording Venue: Ev. Matthäuskirche, Pforzheim-Arlinger, Germany

5 Orchestral Songs: No. 1, Totensonntag 1920
5:06

5 Orchestral Songs: No. 2, Rock'n Roll
4:16

5 Orchestral Songs: No. 3, Judenliedchen
7:01

5 Orchestral Songs: No. 4, Lied der Granaten
1:25

5 Orchestral Songs: No. 5, Sing in den Wind
6:21
Popis
Boris Papandopulo: his name sounds Greek, and yet he has to be regarded as the most important Croatian composer of the twentieth century. cpo's third release featuring this uncommonly versatile composer presents his Concertos for Piccolo and Harpsichord. As in many of his concertos for solo instruments and orchestra, here too Papandopulo draws on Baroque sources in his Harpsichord Concerto. The three characteristic movements follow the model fast-slow-fast in their sequence. In the introductory cantata the composer incorporates dodecaphonic features into the musical structure in a most highly individual and original manner in order then to blend them with compositional-technical elements of the Baroque. He employed the piccolo in many ways his works. It usually enabled him to evoke nature through musical means – the country idyll, the sounds of shepherd's pipes and birdcalls, and the stylized folk dance. Such a sunny, idyllic and Arcadian atmosphere also radiates throughout the Prelude with its stylized birdsong forming the beginning of the Little Concerto. His orchestral songs round off the CD.
 
 
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