Autori:
Christian Ritter, Franz Tunder, Johann Jakob Froberger, Matthias Weckmann
Matthias Weckmann
1 Toccata in E Minor
2 Canzon in D Minor
Partita in B Minor
3 I. Praeludium
4 II. Allemanda
5 III. Courante
6 IV. Saraband
7 V. Gigue
8 Heinrich Scheidemann: Benedicam Domino
9 Matthias Weckmann: Toccata vel Praeludium in D Minor
10 Franz Tunder: Praeludium in G Minor
11 Matthias Weckmann: Canzon in C Minor
12 Johann Jacob Froberger: Ricercare XI in D Minor
13 Matthias Weckmann: Toccata in D Minor
Christian Ritter
Suite in C Minor
14 I. Allemanda
15 II. Courande
16 III. Sarabanda
17 IV. Gique
18 Sonatina in D Minor
For this second part of his anthology of seventeenth-century German harpsichord music, Yoann Moulin takes as his starting point the famous competition organised when Weckmann and Froberger met at the court of Dresden. It was in the 1650s that the influences of the French style were grafted onto models drawn from Italian music. The compositions of this period appear to us in their infinite variety, as illustrated here by the notion of stylus luxurians.