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Bach: Six Partitas (2CD)
 
22,00 €
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
ALPHA994
 
 
EAN kód:
3760014199943
 
 
Autori:
Johann Sebastian Bach
 
 
Interpreti:
Martin Helmchen
 
 
Vydavateľ:
ALPHA
 
 
Zoznam skladieb
CD 1
Partita No. 1 in B-Flat Major, BWV 825
1 1. Prelude
2 2. Allemande
3 3. Courante
4 4. Sarabande
5 5. Menuett 1 - Menuett 2
6 6. Gigue

Partita No. 3 in A Minor, BWV 827
7 1. Fantasia
8 2. Allemande
9 3. Courante
10 4. Sarabande
11 5. Burleske
12 6. Scherzo
13 7. Gigue

Partita No. 4 in D Major, BWV 828
14 1. Ouverture
15 2. Allemande
16 3. Courante
17 4. Aria
18 5. Sarabande
19 6. Menuett
20 7. Gigue

CD 2
Partita No. 2 in C Minor, BWV 826
1 1. Sinfonia
2 2. Allemande
3 3. Courante
4 4. Sarabande
5 5. Rondo
6 6. Capriccio

Partita No. 5 in G Major, BWV 829
7 1. Prelude
8 2. Allemande
9 3. Corrente
10 4. Sarabande
11 5. Tempo di minuetto
12 6. Passepied
13 7. Gigue

Partita No. 6 in E Minor, BWV 830
14 1. Toccata
15 2. Allemande
16 3. Corrente
17 4. Air
18 5. Sarabande
19 6. Tempo di gavotta
20 7. Gigue
Popis
Martin Helmchen belongs to the category of great piano virtuosos who are also interested in early instruments: ‘One of the most thrilling moments of my life as a pianist was when I encountered the intact, original Spät & Schmahl tangent piano from 1790. My initial doubts about a pianist of today being able to master such an instrument rapidly gave way to the swelling conviction that here one could make certain things in Bach’s music sound in a way that is impossible on both the harpsichord and the modern piano. Everything here subjugated me: the colours, the symbiosis of the characteristics of the harpsichord, clavichord and early piano, the buff stop, the opening up of polyphonic textures.’ It is true that this instrument was built forty years after Bach’s death, but, Helmchen continues, ‘the greatest composers, including Beethoven, complained about the limitations of their instrument, and it’s fascinating to play keyboard instruments that were ultimately an extension and improvement of the ones those composers knew’.
 
 
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