Dostupnosť:
na sklade / dostupné okamžite
Interpreti:
Łukasz Goliński, Alejandro Baliñas Vieites, Aljoscha Lennert, Charles Workman, Christina Gansch, Gábor Bretz, Helena Rasker, Huw Rhys James, Julian Hubbard, Konzertvereinigung Wiener Staatsopernchor, Luke Stoker, Matteo Ivan Rašić, Matthäus Schmidlechner, Maxime Pascal, Robert Dölle, Salzburger Festspiele und Theater Kinderchor, Sara Jakubiak, Scott Wilde, Sebastian Kohlhepp, Teona Todua, Wiener Philharmoniker, Wolfgang Götz
Vydavateľ:
UNITEL EDITION
Dátum vydania: 2. 8. 2024
1 Eröffnung
The Greek Passion
Act I
2 Christ is risen!
3 Manolios! We have chosen you to represent Christ
4 What a heavy burden the priest has put on our backs
5 Lord! Lord! - Listen, listen!
6 Kyrie eleison
7 Who are you? What are you doing here?
8 My sons, at this very moment God has given the answer
9 Daughter of the almighty
Act II
10 And as he sowed, some seeds fell by the wayside
11 Hey, Yannokos! You're a lucky fellow
12 Manolios! Why do you run after me?
13 My children, man is like a tree
14 Here is a good man from Lycovrissi
15 Father! The old man is dead!
Act III
16 Hey, Nikolio, take your pipe and play something
17 Manolios! What's the matter with you?
18 Who's there?
19 Intermezzo
20 I'm the son of the lightning
21 We have to stop it
22 Christ was on the mountain
23 I've a secret for you!
Act IV
24 Vorspiel (Prélude)
25 As the apple tree among trees
26 Brother Christians! God made us all blind
27 I waited patiently for the Lord
28 Manolios! - Sarakina!
29 O Lord, let our cry come unto Thee
30 The name of the young man was writen in the snow
31 Applaus - Abspann
Bohuslav Martinu's opera The Greek Passion, here in the 1961 version, is based on the novel "The Recrucified Christ" by Nikos Kazantzakis. The opera takes the Christian doctrine of "love thy neighbor" ad absurdum when a group of refugees are expelled from a small Greek village as a Passion play is about to be performed for Holy Week. The opera is a pessimistic plea for humanity, in the knowledge that humanity has to wrestle with its own selfishness time and time again. Director Simon Stone "creates a modern parable that is both timely and timeless" (The Times). For the last of his 16 operas, Martinů developed a musical language that combines his early musical experiences with elements of Greek folklore, Greek Orthodox liturgy and dance music. Maxime Pascal, 2014 winner of the Salzburg Festival's annual Young Conductors Award and conductor of the Vienna Philharmonic for the first time, "unfolds a musical and dramatic intensity that makes your hair stand on end, both in the tender and the violent outbursts. A maestro of his time" (Le Figaro).