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Rossini: Complete Piano Music, Vol. 11
10,00 €
Formát:
CD
Dostupnosť:
dodacia doba 7-28 dní
Katalógové číslo:
8.573964
EAN kód:
747313396474
Autori:
Gioacchino Rossini
Interpreti:
Alessandro Luciano, Alessandro Marangoni, Bruno Taddia, Cecilia Molinari, Giuseppina Bridelli, Laura Giordano, Maria Candela Scalabrini, Vittorio Prato
Vydavateľ:
NAXOS
Zoznam skladieb
Péchés de vieillesse, Vol. 1: Album italiano (excerpts)1 No. 7. Ave Maria su due note
2 No. 6. Duetto, "Le gittane"
Péchés de vieillesse, Vol. 2: Album français (excerpts)
3 No. 10. Nocturne, "Soupirs et sourire"
4 No. 4. Complainte à 2 voix, "Un sou"
Péchés de vieillesse, Vol. 3: Morceaux réservés: No. 5. Gammes
5 Montée I - Descente I
6 Montée II - Descente II
7 Gamme chinoise I: Montante et descendante
8 Gamme chinoise II: Montante et descendante
Péchés de vieillesse, Vol. 3: Morceaux réservés (excerpts)
9 No. 5. Gammes: L'amour à Pékin, petite mélodie sur la gamme chinoise
10 No. 3. Tirana pour 2 voix, "Les amants de Séville"
Péchés de vieillesse, Vol. 11: Miscellanée de musique vocale (excerpts)
11 No. 4. A ma belle mère, "Requiem eternam"
12 No. 5. O salutaris, de campagne
13 Péchés de vieillesse, Vol. 13: Musique anodine: Prélude
Péchés de vieillesse, Vol. 13: Musique anodine
14 No. 1. Mi lagnerò tacendo: Andantino
15 No. 2. Mi lagnerò tacendo: Andantino mosso
16 No. 3. Mi lagnerò tacendo: Andantino moderato
17 No. 4. Mi lagnerò tacendo: Allegretto moderato
18 No. 5. Mi lagnerò tacendo: Andantino moderato
19 No. 6. Mi lagnerò tacendo: Allegretto moderato
20 Gioachino Rossini
Popis
Volume 11 completes Alessandro Marangoni’s monumental project to record all 200 or so individual works comprising the Péchés de vieillesse or ‘Sins of Old Age’ (including some preliminary sketches). Highlights include all four duets from the collection, from the highly operatic Le gittane to Un sou, in which two beggars try to sell the collar of their dead dog. Rossini’s sacred or pious songs, such as the surprisingly intense Ave Maria (su due note) prompted Richard Wagner’s response, ‘the Parisian salons have turned into prayer cells… extraordinary!’ The closing piece of this edition is appropriately a setting by Rossini of his own name.
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