Dostupnosť:
na sklade / dostupné okamžite
Katalógové číslo:
8.503297
Autori:
Anonymus, Carlo Gesualdo, Claudio Monteverdi, Giovanni Gabrieli, Giovanni Pierluigi da Palestrina, Guillame Dufay, Guillaume de Machaut, Hildegard von Bingen, Jan Pieterszoon Sweelinck, John Dowland, Josquin des Prez, Juan de Anchieta, Luys de Narváez, Luys Milán, Neidhart von Reuental, OCKEGHEM Johannes, Orlando di Lasso, Thomas Campion, Thomas Tallis, Thomas Tomkins, William Byrd, William Lawes
Interpreti:
Various Artists
Vydavateľ:
NAXOS, NAXOS Early Music
CD 1
Adorate Deum: Gregorian Chant from the Proper of the Mass
CD 2
Hildegard of Bingen - Heavenly Revelations
CD 3
Music of the Troubadours
CD 4
Neidhart - A Minnesinger and his ‘Vale of Tears’
CD 5
Carmina Burana
CD 6
Machaut - Messe de Nostre Dame
CD 7
Argentum et Aurum
CD 8
Dufay - Chansons
CD 9
Ockeghem - Requiem
CD 10
Music from the Eton Choirbook
CD 11
Missa Conceptio tua
CD 12
A-La-Mi-Re Manuscripts
CD 13
Anchieta - Missa Sine nomine
CD 14
Frottole
CD 15
Josquin Desprez - Missa L’Homme armé
CD 16
Luis de Milán - Music for Vihuela (+ Luis de Narváez)
CD 17
Tallis - Spem in alium
CD 18
Palestrina - Missa Papae Marcelli
CD 19
Lassus - Lagrime di San Pietro
CD 20
Byrd - Complete Fantasias for Harpsichord
CD 21
Gabrieli - Music for Brass Vol.2
CD 22
Elizabethan Songs and Consort Music
CD 23
Sweelinck - Organ Works
CD 24
Dowland - Pavans, Galliards and Almains
CD 25
Gesualdo - Madrigals, Book 1
CD 26
Campion - Lute Songs
CD 27
Monteverdi - Madrigals, Book 5
CD 28
Tomkins - Consort Music for Viols and Voices
CD 29
The Guerra Manuscript Vol. 1
CD 30
Lawes - Consort Music for Viols, Lute and Theorbos
The Early Music Collection is a wide-ranging survey that traces the history of Western music from plainchant, the music of the Catholic Church, through polyphony, to the end of the 17th century. It includes leading ensembles and instrumentalists. Many of the individual albums have been critically lauded. Recent years have brought a vast expansion in our understanding and knowledge of early music periods. There has been investigation into the repertoire and techniques of other ages, coupled with a movement that has favored the use of instruments and ways of playing them that are more or less authentic. Even where surviving historical instruments or modern reproductions of them are not used, the styles of performance have been influenced. Above all the myth of unending progress has been abandoned in favor of an evaluation of each period and type of music on its own terms. Early Music, in fact, has become a flourishing industry, stimulated by the remarkable growth in production and distribution of early music. For our present purposes we limit the term Early Music to cover a period ranging from plainchant to the end of the 17th century. The period that followed, the age of Bach and Handel and the great synthesis of the Late Baroque, is generally more familiar to listeners and is, in any case, another story.