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Let beauty awake – English Viola Music (SACD)
 
17,90 €
 
Formát:
SACD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
BIS2182
 
 
EAN kód:
7318599921822
 
 
Autori:
Benjamin Britten, Ralph Vaughan Williams, Rebecca Clarke
 
 
Interpreti:
Ellen Nisbeth
 
 
Vydavateľ:
BIS
 
 
Zoznam skladieb
Vaughan Williams: Songs of Travel
3:07


Ellen Nisbeth (viola), Bengt Forsberg (piano)

Songs of Travel: No. 1, The Vagabond (Transcr. E. Nisbeth for Viola & Piano)
3:07


Vaughan Williams: Romance for viola & piano
6:35


Ellen Nisbeth (viola), Bengt Forsberg (piano)

Songs of Travel
1:53


Songs of Travel: No. 2, Let Beauty Awake (Transcr. E. Nisbeth for Viola & Piano)
1:53


Clarke, Rebecca: Viola Sonata
23:42


Ellen Nisbeth (viola), Bengt Forsberg (piano)
Recorded: May 2016
Recording Venue: Grünewaldsalen, Konserthuset, Stockholm, Sweden

Viola Sonata: I. Impetuoso
8:15


Viola Sonata: II. Vivace
3:42


Viola Sonata: III. Adagio - Allegro
11:45


Songs of Travel
2:10


Songs of Travel: No. 3, The Roadside Fire (Transcr. E. Nisbeth for Viola & Piano)
2:10


Britten: Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano)
22:03


Ellen Nisbeth (viola)
Recorded: May 2016
Recording Venue: Grünewaldsalen, Konserthuset, Stockholm, Sweden

Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): I. Introduzione. Lento
2:32


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): II. Marcia. Allegro
1:39


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): III. Canto. Con moto
1:22


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): IV. Barcarola. Lento
1:44


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): V. Dialogo. Allegretto
1:40


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): VI. Fuga. Andante espressivo
2:32


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): VII. Recitativo. Fantastico
1:20


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): VIII. Moto perpetuo. Presto
0:52


Cello Suite No. 3, Op. 87 (Transcr. E. Nisbeth for Viola & Piano): IX. Passacaglia - Mournful Song - Autumn - Street Song - Grant Repose Together with the Saints
8:22



Songs of Travel
3:36


Songs of Travel: No. 4, Youth & Love (Transcr. E. Nisbeth for Viola & Piano)
3:36


Britten: Lachrymae, Op. 48a "Reflections on a Song of John Dowland"
14:01


Ellen Nisbeth (viola), Bengt Forsberg (piano)

Lachrymae for Viola & Piano, Op. 48 "Reflections on a Song of John Dowland"
14:01


Songs of Travel
3:03


Songs of Travel: No. 6, The Infinite Shining Heavens (Transcr. E. Nisbeth for Viola & Piano)
3:03

Popis
Despite her youth, Ellen Nisbeth has received acclaim both in her native Sweden and abroad and is one of the Rising Stars selected by the European Concert Hall Organisation (ECHO) for the 2017/2018 season. A former student of London's Royal College of Music, she hails from a family of Scottish origin and feels a particular affinity for the landscapes of Scotland, and for the Scottish author Robert Louis Stevenson. For her first recital disc Ellen Nisbeth has devised an all British programme which includes her own transcriptions of selected songs from Songs of Travel – Ralph Vaughan Williams's settings of poems by Stevenson. The songs intersperse the remainder of the programme, and one of them – Let Beauty Awake – has also lent its title to the entire disc. Together with the eminent pianist and chamber musician Bengt Forsberg, Nisbeth goes on to perform the impassioned Viola Sonata composed in 1919 by Rebecca Clarke – a well-known piece among viola players, but deserving of a wider audience. The centrepiece of this amply filled disc is Benjamin Britten’s Third Suite for Cello, transcribed for viola by Ellen Nisbeth herself – composed for Mstislav Rostropovich, the suite is based on Russian themes which Britten only presents in full towards the end of the substantial work. The same method is used in Lachrymae, here in the original version for viola and piano, where John Dowland’s song If my complaints could passions move is presented in full at the very end of the piece.
 
 
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