What is heard here cannot be put into one category. 100% uncharted territory. The best way to make this music tangible is to break it down into its component parts. Michael Wollny, for the first time exclusively on electronic keyboard instruments, who creates his own world of retro-futuristic sounds here. A nod to early Jean-Michel Jarre; references to science fiction and horror, and a good shot of avant-garde Krautrock à la "Can", Irmin Schmidt and Klaus Schulze. Tim Lefebvre, collaborator of stars like David Bowie, Tedeschi Trucks Band, John Mayer, Knower, Steely Dan, Elvis Costello or Wayne Krantz. A rock in the feverish surf, who drives the music forward on bass and effects, structures, tames and makes it groove mercilessly. The antithesis: the explosive, yet highly sensitive playing of drummer Christian Lillinger, who stacks layers upon layers of rhythms and textures. And the bouncy lines of Emile Parisien on sop-ransaxophone, loaded with countless melodies and bursting with energy, who seems as if he would take off and fly away at any moment