Košík
 
Váš košík je momentálne prázdny.
 
Simeon ten Holt: Complete Piano Works (20CD)
 
60,00 €
 
Formát:
CD BOX
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
96915
 
 
EAN kód:
5028421969152
 
 
Autori:
Simeon Ten Holt
 
 
Interpreti:
Jeroen van Veen
 
 
Vydavateľ:
BRILLIANT CLASSICS
 
 
Zoznam skladieb
CD 1
Kompositie
1 I.
2 II.
3 III.
4 IV.

Sonate
5 I. Introductie
6 II. Sostenuto
7 III. Intermezzo
8 IV. Finale

20 Bagatellen
9 I.
10 II.
11 III.
12 IV.
13 V.
14 VI.
15 VII.
16 VIII.
17 IX.
18 X.
19 XI.
20 XII.
21 XIII.
22 XIV.
23 XV.
24 XVI.
25 XVII.
26 XVIII.
27 XIX.

CD 2
20 Bagatellen
1 XX.

12 Korte Stukken
2 I.
3 II.
4 III.
5 IV.
6 V.
7 VI.
8 VII.
9 VIII.
10 IX.
11 X.
12 XI.
13 XII.

14 Allegro ex Machina

Diagonaal Suite
15 I.
16 II.
17 III.
18 IV.
19 V.
20 VI.
21 VII.

Muziek voor Pieter
22 I.
23 II.
24 III.
25 IV.
26 V.
27 VI.
28 VII.

Sonate Diagonaal
29 I. Agitato
30 II. Allegretto scorrendo
31 III. Adagio lamentoso
32 IV. Allegro vivace

CD 3
1 Soloduivelsdans I

Epigrammen
2 I.
3 II.
4 III.
5 IV.
6 V.
7 VI.
8 VII.
9 VIII.
10 IX.
11 X.
12 XI.
13 XII.
14 XIII.
15 XIV.
16 XV.
17 XVI.
18 XVII.
19 XVIII.
20 XIX.
21 XX.

5 Etudes
22 I. Tertsen
23 II. Oktaven
24 III. Secunden
25 IV. Allegro leggiero
26 V. Molto lento

CD 4
Cylus aan de Waanzin
1 Part I
2 Part II
3 Part III

Sekwensen
4 I.
5 II.
6 III.
7 IV.
8 V.
9 VI.

10 Interpolations
11 Aforisme II

CD 5
Canto Ostinato
1 Section 1
2 Section 17
3 Section 22
4 Section 40
5 Section 59
6 Section 74, Cumulation
7 Section 105

CD 6
Canto Ostinato Part I
1 Section 1
2 Section 5
3 Section 10
4 Section 14
5 Section 20
6 Section 25
7 Section 35
8 Section 41
9 Section 56
10 Section 60
11 Section 69
12 Section 74, Theme I
13 Section 78
14 Section 83

CD 7
Canto Ostinato Part II
1 Section 88 A
2 Section 88 B
3 Section 88 E
4 Section 88 F
5 Section 89
6 Section 91 A
7 Section 91 C
8 Section 91 E
9 Section 92
10 Section 95, Theme II
11 Section 97
12 Section 105
13 Section 106

CD 8
Natalon in E Major
1 I. Sostenuto
2 II. Andante moderato, giusto
3 III. Adagio
4 IV. Lento sostenuto
5 V. Molto allegro giusto

CD 9
Lemniscaat Part I
1 I. Refrain
2 II. Episode I
3 III. Episode II
4 IV. Episode III
5 V. Episode Iva
6 VI. Episode VIb
7 VII. Episode V
8 VIII. Episode Via
9 IX. Episode VIb
10 X. Episode Vic
11 XI. Episode VIIa
12 XII. Episode VIIb
13 XIII. Episode VIII

CD 10
Lemniscaat Part II
1 I. Refrain
2 II. Introduction Episode IX
3 III. Episode IX
4 IV. Episode X
5 V. Episode XI
6 VI. Episode XII
7 VII. Episode XIII
8 VIII. Episode XIVa
9 IX. Episode XIVc
10 X. Episode XV
11 XI. Episode XVIa
12 XII. Episode XVIb
13 XIII. Episode XVIc
14 XIV. Refrain

CD 11
Horizon Part I
1 Section 1
2 Section 11
3 Section 19
4 Section 26
5 Section 38
6 Section 51
7 Section 71, Cumulation
8 Section 78, Cumulation
9 Section 85, Cumulation
10 Section 91

CD 12
Horizon Part II
1 Section 98
2 Section 106
3 Section 111
4 Section 121
5 Section 137
6 Section 146
7 Section 151
8 Section 155
9 Section 162

CD 13
Soloduivelsdans II
1 Section 01
2 Section 61
3 Section 72
4 Section 89
5 Section 93

CD 14
Incantatie IV Part I
1 I. Tableau I, Section 1
2 II. Section 20
3 III. Section 22
4 IV. Da Capo
5 V. Tableau II, Section 27
6 VI. Section 35b
7 VII. Tableau III, Section 45
8 VIII. Section 54
9 IX. Section 60
10 X. Tableau IV, Section 69
11 XI. Section 76a

CD 15
Incantatie IV Part II
1 I. Section 78
2 II. Cumulation I, Section 121
3 III. Cumulation II, Section 140
4 IV. Tableau V, Section 148
5 V. Cumulation III, Section 154
6 VI. Section 165
7 VII. Tableau VI, Section 197
8 VIII. Tableau VII, Section 204
9 IX. Section 210

CD 16
Soloduivelsdans III
1 Section 01
2 Section 01, Da Capo
3 Section 26
4 Section 44
5 Section 68

CD 17
Schaduw noch Prooi
1 I. Section 1
2 II. Section 14a
3 III. Da Capo
4 IV. Section 16a
5 V. Section 19a
6 VI. Section 21a
7 VII. Section 25a
8 VIII. Canzona 28a
9 IX. Section 29
10 X. Section 36
11 XI. Section 52a
12 XII. Section 53

CD 18
Meandres Part I
1 I. Introduction
2 Section 1
3 III. Section 16
4 IV. Section 20
5 V. Section 42
6 VI. Section 45
7 VII. Section 53
8 VIII. Section 74

CD 19
Meandres Part II
1 I. Section 87
2 II. Section 101
3 III. Section 125
4 IV. Section 130
5 V. Section 135
6 VI. Section 145
7 VII. Section 149
8 VIII. Section 167

CD 20
Aedem sed aliter
1 I. 1. Section 01
2 II. Section 73
3 III. Section 104
4 IV: I. Section 01
5 II. Section 29
Popis
The most complete collection ever issued of the Dutch Minimalist master, including the famous Canto Ostinato but also many previously unreleased recordings, all made by a pianist with an international reputation in the field of Minimalism. ‘Given his music’s virtuoso demands, and its spirituality, it is tempting to call him the Franz Liszt of minimalism.’ This assessment of Simeon Ten Holt by an American reviewer points to Ten Holt’s originality, his industry and his influence over modern Minimalism in the generations after its 1960s birth in America. As with Liszt in Weimar during the 1850s and 60s, many paths have led to and from Ten Holt’s music. It has long been recognised that with Canto Ostinato, his flexible sequence of 92 variations on a simple bass-line, Ten Holt built a masterpiece to stand alongside the likes of In C by Terry Riley, and Steve Reich’s Music for 18 Musicians. However, this box-set shows how much more there is to Ten Holt. The boy Simeon was introduced to the world of music by hearing his father play the first movement of Beethoven’s Moonlight Sonata one night, and from then on he was entranced by the possibilities of stretching time through patterns. Late in life, he remarked: ‘I am the time, and I have the time.’ This box traces his development as has never been possible before, from the early untitled Compositions, comparable to the Abstract Expressionist canvases of the time, through miniatures such as sets of Epigrams and Aphorisms, to the triumph of Canto Ostinato, and then far beyond, to the mystical cycles of Lemniscaat, Horizon and finally the renewed vigour of Eadem Sed Aliter (‘The Same but Different’), a late piece which, as the composer remarked, ‘takes away the limits of the concepts of ‘beginning’ and ‘ending’, ‘before’ and ‘after’.’ As he explains in a personal introduction, Jeroen van Veen first encountered the music of Ten Holt as a child, listening to the radio to (as he discovered much later) the premiere of Horizon: ‘the notes melted together to create such a rich tapestry of colour.’ He has since performed Canto Ostinato and the rest of Van Veen’s music many times and in many countries, and in 2001 he became the founder chair of the Simeon Ten Holt Foundation. His performances, as recognised by critics in publications worldwide, are beautifully recorded and bear the stamp of complete authority in this music.
 
 
Prihlásenie
 
E-mail Heslo
Newsletter
 
.