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Pergolesi: Stabat Mater
 
14,99 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
ALPHA449
 
 
EAN kód:
3760014194498
 
 
Autori:
Giovanni Battista Pergolesi, Leonardo Leo, Nicola Porpora
 
 
Interpreti:
Christophe Rousset , Sandrine Piau
 
 
Vydavateľ:
Les Talens Lyriques
 
 
Zoznam skladieb
Pergolesi: Stabat Mater
35:04

Christopher Lowrey (counter-tenor), Sandrine Piau (soprano)
Les Talens Lyriques
Christophe Rousset

I. Stabat Mater dolorosa
4:48

II. Cujus animam gementem
1:55

III. O quam tristis et dolebat
1:40

IV. Quae moerebat et dolebat
2:15

V. Quis est homo qui non fleret
2:57

VI. Vidit suum dulcem natum
2:50

VII. Eia Mater fons amoris
1:52

VIII. Fac ut ardeat cor meum
1:52

IX. Sancta Mater istud agas
4:28

X. Fac ut portem Christi mortem
3:47

XI. Inflammatus et accensus
1:59

XII. Quando corpus morietur
4:41


Porpora: Salve Regina
16:58

Sandrine Piau (soprano)
Les Talens Lyriques
Christophe Rousset

I. Salve Regina
3:36

II. Ad te clamamus
1:41

III. Ad te suspiramus
2:35

IV.Eia ergo
2:19

V. Et Jesum
2:52

VI. O clemens
3:55


Leo: Beatus vir qui timet
13:53

Christopher Lowrey (counter-tenor)
Les Talens Lyriques
Christophe Rousset

I. Beatus vir
2:51

II. Exortum est
1:00

III. Misericors
1:21

IV. Iucundus homo
3:23

V. Dispersit
2:49

VI. Gloria
1:05

VII. Sicut era
1:24
Popis
Longstanding partners Sandrine Piau and Christophe Rousset have frequently performed the Stabat Mater, an emblematic work of the eighteenth-century Neapolitan repertory, both together and with other musicians. It was therefore a natural step for them to record this supreme masterpiece of sacred music. They are joined here by a relative newcomer to Les Talens Lyriques who has also become a regular partner with the ensemble, the American countertenor Christopher Lowrey (already heard on an Alpha disc devoted to Monteverdi, Alpha 216). The programme is completed by a Salve Regina for soprano by Nicola Porpora, sung by Sandrine Piau, and a Beatus vir for alto by Leonardo Leo, two totally unknown works by two composers who were nevertheless very famous at the time – Porpora, for example, was Farinelli’s singing teacher and mentor to the youthful Haydn. Christophe Rousset finds in this music ‘an expression of very Mediterranean, very highly flavoured piety, in which one moves from tears to laughter quite quickly’. Sandrine Piau sees in Leo ‘an elegance of style, a certain distance in sorrow’.
 
 
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