Dátum vydania: 13. 6. 2025
Mass No. 11 in C Major, K. 257, "Credo"
1 Kyrie (Soprano, Alto, Tenor, Bass, Chorus)
2 Gloria (Soprano, Alto, Tenor, Bass, Chorus)
3 Credo (Soprano, Alto, Tenor, Bass, Chorus)
4 Sanctus (Chorus)
5 Benedictus (Soprano, Alto, Tenor, Bass, Chorus)
6 Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus)
Missa brevis in G Major, K. 49
7 Kyrie (Chorus)
8 Gloria (Soprano, Alto, Tenor, Bass, Chorus)
9 Credo (Soprano, Alto, Bass, Chorus)
10 Sanctus (Chorus)
11 Benedictus - Hosanna da capo (Soprano, Alto, Tenor, Bass, Chorus)
12 Agnus Dei (Chorus)
Missa brevis in D Minor, K. 65
13 Kyrie (Soprano, Alto, Tenor, Bass, Chorus)
14 Gloria (Soprano, Alto, Tenor, Bass, Chorus)
15 Credo (Soprano, Alto, Tenor, Bass, Chorus)
16 Sanctus (Chorus)
17 Benedictus - Hosanna da capo (Soprano, Alto, Chorus)
18 Agnus Dei (Chorus)
Missa brevis in C Major, K. 220, "Spatzenmesse"
19 Kyrie (Chorus)
20 Gloria (Soprano, Alto, Tenor, Bass, Chorus)
21 Credo (Soprano, Alto, Tenor, Bass, Chorus)
22 Sanctus (Chorus)
23 Benedictus (Soprano, Alto, Tenor, Bass, Chorus)
24 Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus)
Mozart provided a steady output of Masses during his time at the court in Salzburg. The fine Missa brevis in G major was composed in 1768 when Mozart was just twelve years old. The theatrical and inventive ‘Credo’ Mass in C major, from 1776, is regarded as one of Mozart’s finest achievements from this period. The profound key of D minor for the Missa brevis, K. 65 reflects its use at a 40-hour vigil, while the affectionate nickname ‘Spatzenmesse’ (‘Sparrow Mass’) for the Missa brevis in C major refers to the chirping nature of the Sanctus.