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Mathis Stier (bassoon) - Sentiment
 
15,00 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
ALPHA 825
 
 
EAN kód:
3760014198250
 
 
Autori:
Johann Sebastian Bach, Johann Wilhelm Hertel, Wolfgang Amadeus Mozart
 
 
Interpreti:
Ensemble Reflektor, Mathis Stier
 
 
Vydavateľ:
ALPHA
 
 
Zoznam skladieb
Bach, J S: Oboe d'amore Concerto in A major, BWV1055
Work length 13:16

Mathis Stier
Ensemble Reflektor

I. [Allegro] by Mathis Stier

II. Larghetto by Mathis Stier

III. Allegro ma non tanto by Mathis Stier


Hertel, J W: Bassoon Concerto in A minor
Work length 18:24

Mathis Stier
Ensemble Reflektor

I. Allegro con spirito

II. Grave

III. Allegro di molto

Mozart: Bassoon Concerto in B flat major, K191
Work length 17:31

Mathis Stier
Ensemble Reflektor

I. Allegro

II. Andante ma Adagio

III. Rondo (Tempo di menuetto)
Popis
Born in 1994, bassoonist Mathis Stier not only won second prize at the 2019 ARD Competition, but was also awarded the coveted Audience Prize. Mathis Stier has a natural affinity with the music of the 18th century and the three works which he has chosen for his ALPHA debut demonstrate its principal characteristics: Baroque, Empfindsamkeit/Sturm und Drang and Viennese Classicism. The composers J.S. Bach, Johann Wilhelm Hertel and W.A. Mozart represent three generations: father, son and grandson. The conventions of each previous generation are questioned, musical boundaries are broken down and new paths are taken, until the generational revolt finds its way back to more conventional channels. This is how Mathis Stier describes the phenomenon: "Musically, the Mozart Concerto represents the classical bassoon and is probably the best-known work in the original literature. Hertel's concerto, on the other hand, is unusual and fairly unknown even among bassoonists. It deserves to be more widely known, however, because it is an exceedingly remarkable and idiosyncratic piece. Finally, the Bach Concerto, while a very well-known work, is extremely rarely performed in this version and thus represents an addition to the repertoire. The adaptation for the bassoon is obvious, since the (reconstructed) original was probably composed for the similar-sounding oboe d'amore. Moreover, setting pieces in a different key was common practice for Bach."
 
 
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