Katalógové číslo:
ALPHA1034
Autori:
Johann Sebastian Bach
Dátum vydania: 4. 4. 2025
CD 1
Prelude and Fugue No. 1 in C Major, BWV 870
01. I. Prelude
02. II. Fugue
Prelude and Fugue No. 1 in C Major, BWV 870
03. I. Prelude
04. II. Fugue
Prelude and Fugue No. 3 in C-Sharp Major, BWV 872
05. I. Prelude
06. II. Fugue
Prelude and Fugue No. 4 in C-Sharp Minor, BWV 873
07. I. Prelude
08. II. Fugue
Prelude and Fugue No. 5 in D Major, BWV 874
09. I. Prelude
10. II. Fugue
Prelude and Fugue No. 6 in D Minor, BWV 875
11. I. Prelude
12. II. Fugue
Prelude and Fugue No. 7 in E-Flat Major, BWV 876
13. I. Prelude
14. II. Fugue
Prelude and Fugue No. 8 in D-Sharp Minor, BWV 877
15. I. Prelude
16. II. Fugue
Prelude and Fugue No. 9 in E Major, BWV 878
17. I. Prelude
18. II. Fugue
Prelude and Fugue No. 10 in E Minor, BWV 879
19. I. Prelude
20. II. Fugue
Prelude and Fugue No. 11 in F Major, BWV 880
21. I. Prelude
22. II. Fugue
Prelude and Fugue No. 12 in F Minor, BWV 881
23. I. Prelude
24. II. Fugue
CD 2
Prelude and Fugue No. 13 in F-Sharp Major, BWV 882
01. I. Prelude
02. II. Fugue
Prelude and Fugue No. 14 in F-Sharp Minor, BWV 883
03. I. Prelude
04. II. Fugue
Prelude and Fugue No. 15 in G Major, BWV 884
05. I. Prelude
06. II. Fugue
Prelude and Fugue No. 16 in G Minor, BWV 885
07. I. Prelude
08. II. Fugue
Prelude and Fugue No. 17 in A-Flat Major, BWV 886
09. I. Prelude
10. II. Fugue
Prelude and Fugue No. 18 in G-Sharp Minor, BWV 887
11. I. Prelude
12. II. Fugue
Prelude and Fugue No. 19 in A Major, BWV 888
13. I. Prelude
14. II. Fugue
Prelude and Fugue No. 20 in A Minor, BWV 889
15. I. Prelude
16. II. Fugue
Prelude and Fugue No. 21 in B-Flat Major, BWV 890
17. I. Prelude
18. II. Fugue
Prelude and Fugue No. 22 in B-Flat Minor, BWV 891
19. I. Prelude
20. II. Fugue
Prelude and Fugue No. 23 in B Major, BWV 892
21. I. Prelude
22. II. Fugue
Prelude and Fugue No. 24 in B Minor, BWV 893
23. I. Prelude
24. II. Fugue
Aaron Pilsan completes his recording of the Well-Tempered Clavier, five years after the first volume was praised by critics for its ardent, accurate and fluid interpretation. Twenty years lie between the two volumes; whilst the first is better known, 'the second book is more playful, but also more accomplished. It goes further harmonically and also demonstrates extraordinary harmonic invention with original and often exotic harmonies. The best example of what differentiates the two books is the fugue in D sharp minor in the second book, a piece whose boldness and harmonic originality never ceases to enthral and astonish me,' says the Austrian pianist, who again demonstrates his fascination for the composer: ’What I love most about Bach's music is that he expresses everything that goes to make up our lives, but in perfect order.'