Katalógové číslo:
5552392
Autori:
Georg Philipp Telemann
Interpreti:
La Stagione Frankfurt, Michael Schneider
Telemann: Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C, TWV 50:2
Work length 9:56
Annette Spehr, Peter Westermann, Marita Schaar
La Stagione Frankfurt
Michael Schneider
I. Allegro assai
II. Sarabande
III. Bourrée
IV. Menuet en rondeau
V. Loure
VI. Chaconnette
VII. Gigue en canarie
Telemann: Concerto TWV 54:Es1 in E flat major for 2 horns, 2 violins, strings & b.c.
Work length 15:04
Ulrich Hübner, Jörg Schulteß, Ingeborg Scheerer, Julia Huber-Warzecha
La Stagione Frankfurt
Michael Schneider
I. Maestoso
II. Allegro
III. Grave
IV. Vivace
Telemann: Septet (Concerto) TWV 44:43 in B flat major for 3 oboes, 3 violins & b.c.
Work length 9:40
Annette Spehr, Peter Westermann, Susanne Kohnen, Ingeborg Scheerer, Julie Huber-Warzecha, Katrin Ebert, Marita Schaar, Nicholas Selo, Christian Zincke
La Stagione Frankfurt
Michael Schneider
I. Allegro
II. Largo
III. Allegro
Telemann: Sonata in E minor, TWV 50:4
Work length 12:55
Annette Spehr, Peter Westermann, Marita Schaar
La Stagione Frankfurt
Michael Schneider
I. Gravement
II. Allabreve
III. Air
IV. Tendrement
V. Gay
Telemann: Concerto TWV 53:A2 in A major for flute, violin, cello, strings & b.c.
Work length 25:38
Karl Kaiser, Ingeborg Scheerer, Nicholas Selo
La Stagione Frankfurt
Michael Schneider
I. Largo
II. Allegro
III. Gracioso
IV. Allegro
Following our spectacular, standard-setting complete recording of Telemann’s wind concertos on eight albums, we are now concluding our second significant Telemann edition with its Vol. 6, which features his concertos for mixed ensemble and transports us to the very heart (and soul) of his oeuvre. Here his oft-cited “mixed style” is fully revealed in all its colorfulness. klassik.com wrote, “Performed with the greatest variety and magic. A new Telemann series promising to bring superb musical high points and true moments of joy.” And the sixth release again offers surprises and shows “that Telemann’s oeuvre is too multifaceted, too stylistically diversified, too rich in various textures, and too complex in its blend of various generic, stylistic, and formal traditions for one to be able to sum up his concerto thought in a couple of short statements. The present complete recording documents for the first time the absolutely inexhaustible wealth of his powers of design in the instrumental concerto in all the transmitted playing styles and facets; if this recording is able to serve not only as an introduction but also and more so as a source of sensuous attraction to the beauties of this absolutely unique sound world, then its highest goal will have been met” (Prof. Dr. Wolfgang Hirschmann, our booklet author).