Dostupnosť:
na sklade / dostupné okamžite
Katalógové číslo:
555106-2
Autori:
Boris Papandopulo
Interpreti:
Amaury Coeytaux, Andrei Ioniţă, Oliver Triendl, Vanessa Szigeti
Papandopulo: Concertino in modo antico, Op. 56
Work length 15:43
Oliver Triendl (piano), Amaury Coeytaux (violin), Vanessa Szigeti (violin), Andrei Ioniţă (cello)
I. Overture
II. Aria
III. Tarantella
Papandopulo: Fantasy for Violin & Piano
Work length 18:35
Oliver Triendl (piano), Amaury Coeytaux (violin)
I. Allegro appassionato
II. Andante tranquillo
III. Tempo libero, quasi cadenza - Allegro con fuoco
Papandopulo: Lyrical Trio
Oliver Triendl (piano), Amaury Coeytaux (violin), Andrei Ioniţă (cello)
I. Overture
II. Elegy
III. Danse
Papandopulo: Rapsodia Concertante for Cello & Piano
Work length 13:35
Oliver Triendl (piano), Andrei Ioniţă (cello)
I. Introduzione. Tempo libero, quasi improvisato
II. Arioso. Andante sostenuto
III. Danza. Allegro non troppo
Papandopulo: Musical Movements for Orlando
Work length 13:20
Oliver Triendl (piano), Amaury Coeytaux (violin), Andrei Ioniţă (cello)
No. 1, Allegro moderato
No. 2, Andante tranquillo
No. 3, Allegro vivace
Our fourth CD in this series offers listeners the opportunity to enjoy chamber music for piano and strings by Boris Papandopulo. The recording premiere of his Concertino in modo antico presents a little masterpiece of Croatian Neoclassicism. As the title itself indicates, here the composer draws on historical models both in form and content. For example, the Overture, a free rendering of the sonata form, recalls similar forms from the Late Baroque and Early Classical periods. It pulsates in a lively motoric rhythm and is based on the polyphonic imitation of numerous short motifs running through the entire movement and reaching their end in a little Fugato. Masterful motivic work, brilliance, and verve as well as real and true joy of performance distinguish this composition, which easily finds its way into the hearts of musicians and audiences alike – and the same is true of the other chamber pieces heard here. The Rapsodia concertante, to name one example, is not only a highly effective and attractive composition in which three contrasting movements are skillfully linked together; it is also a virtuoso piece representing the summit of technique and worked out to perfection.