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Booming Bass and Baritone: Best Loved Opera Arias
10,00 €
dodacia doba 7-28 dní
Katalógové číslo:
EAN kód:
Arrigo Boito, Charles Gounod, Georg Friedrich Händel, Georges Bizet, Giacomo Meyerbeer, Giacomo Puccini, Gioacchino Rossini, Giuseppe Verdi, Jacques OFFENBACH, Richard Wagner, Wolfgang Amadeus Mozart
Alexander Rahbari, Andrew Foster-Williams, Antonino Fogliani, Bratislava Chamber Choir, Budapest Failoni Chamber Orchestra, Carlo Colombara, CSR Symphony Orchestra Bratislava, Eduard Tumagian, Erich Knodt, Filarmonica Arturo Toscanini, Francesco Ivan Ciampa, Gerard Schwarz, Hong Kong Philharmonic Orchestra, Hungarian Festival Chorus, Ivan Urbas, Jaap van Zweden, Jan Opalach, Julius Rudel, Kurt Rydl, Lado Ataneli, Lodovico Zocche, Lorenzo Regazzo, Matthias Goerne, Michael Halasz, Michele Pertusi, Munich Radio Orchestra, Nicolaus Esterhazy Sinfonia, Orchestra Giovanile della Via Emilia, Orchestra Internazionale dItalia, ORF Vienna Radio Symphony Orchestra, Pinchas Steinberg, Renato Girolami, Renato Palumbo, Rijeka Opera Symphony Orchestra, Samuel Ramey, Seattle Symphony Orchestra, Silvano Carroli, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Soon-Won Kang, Ville Matvejeff, Virtuosi Brunensis, Will Humburg, Württemberg Philharmonic Orchestra
Zoznam skladieb
1. Rossini, Gioachino: Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della città (Figaro)
2. Bizet, Georges: Carmen, Act II: Couplets: Votre toast, je peux vous le rendre, "Toreador Song" (Escamillo)

Gounod, Charles-François: Faust (1864 version) (Sung in French) (excerpts)
3. Act II Scene 3: Ronde du Veau d'or: Le veau d'or est toujours debout! (Méphistophélès)
4. Act III Scene 10: Il était temps! (Méphistophélès)

5. Boito, Arrigo: Mefistofele, Act II Scene 2: Ecco il mondo (Mefistofele)
6. Offenbach, Jacques: Les Contes d'Hoffmann (The Tales of Hoffmann), Act II: Scintille, diamant! (Dappertutto)
7. Mozart, Wolfgang Amadeus: Le nozze di Figaro (The Marriage of Figaro), K. 492, Act I: Aria: Non più andrai (Figaro)
8. Mozart, Wolfgang Amadeus: Die Zauberflöte (The Magic Flute), K. 620, Act II: Aria and Chorus: O Isis und Osiris (Sarastro, Chorus)
9. Wagner, Richard: Der Fliegende Holländer (The Flying Dutchman), Act I: Aria: Die Frist ist um (Daland)
10. Wagner, Richard: Die Walküre (The Valkyrie), Act III Scene 3: Leb' wohl, du kühnes, herrliches Kind!, "Wotan's Farewell" (Wotan)
11. Rossini, Gioachino: Guillaume Tell (William Tell), Act III Finale: Aria: Sois immobile (Guillaume)
12. Verdi, Giuseppe: Nabucco, Act II Scene 2: Recitative: Vieni, o Levita! (Zaccaria)
13. Verdi, Giuseppe: Rigoletto, Act II: Cortigiani, vil razza dannata (Rigoletto)
14. Puccini, Giacomo: La bohème, Act IV: Vecchia zimarra, senti (Colline)
15. Handel, George Frideric: Acis and Galatea, HWV 49, Act II: Aria: O ruddier than the cherry (Polyphemus)
16. Rossini, Gioachino: Mosè in Egitto (Moses in Egypt), Act II: Dal Re de' Regi (Mosè) (1819 Naples version)
17. Meyerbeer, Giacomo: Les Huguenots (The Huguenots), Act I: Piff, paff, piff, cernons-les! (Marcel)

18. Puccini, Giacomo: Tosca, Act I: Tre sbirri, una carrozza, "Te Deum" (Scarpia, Chorus)
Opera can be defined as drama told through music, and at the height of its popularity conventions arose in which certain voice types came to share common character features. With love triangles it is the baritone who takes the role of the villain; basses are either comically pompous or wise and noble priests or kings; and both voices can be cast as operatic devils and demons. From the jack-of-all-trades, Figaro, to the impotent jester Rigoletto, and from the heroic William Tell to the mischievous Méphistophélès, these larger-than-life characters all represent the grandeur of great music combined with powerful stories.
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