Nils Kugelmann likes telling stories. That much is clear from the titles of his compositions...from the way he talks when he introduces them at concerts...and – naturally – from the music itself. ‘For me, making the connection between music and stories, feelings and situations is so important,’ says the bassist/ composer/ bandleader, now based in Berlin. ‘At concerts I consciously talk to the audience and go into the background of each piece in some detail. It’s something I enjoy. I can hardly imagine presenting music on stage without having this kind of communication.’ Above all, however, the music which Nils Kugelmann plays and composes has real urgency, strong energy and hypnotic power. As an artist he has broken through in a way that no other double bassist of the under-30 generation in Germany has done, in particular his way of making his instrument the central feature of his music. Immediately after completing his master's degree in 2022, Kugelmann launched his debut album ‘Stormy Beauty’ on ACT. German media called him a ‘bass berserker’ and a ‘mega-talent.’ Awards, sold-out concerts duly followed. Kugelmann has a core trio, but beyond that he is free to play in the contexts and styles he likes – first and foremost in a duo and quartet with pianist and composer Shuteen Erdenebaatar. There are so many dimensions to Kugelmann’s musical personality, something which the trio he leads with pianist Luca Zambito and drummer Sebastian Wolfgruber gives him the freedom to express. ‘Life Score’ is in many ways a further development and concentration of the qualities of the band and its leader. ‘Our first album was still from the Corona period. We hardly had a chance to play live and the studio recordings were the first real opportunity to try out the pieces,’ Kugelmann recalls. ‘With ”Life Score’ it's completely different. We have now played a lot of concerts and as a trio we have grown together and got closer. The pieces seem much more compact and concrete.’ ACT CEO and producer Andreas Brandis has played a significant role in this. The trio did try-outs of the new repertoire written by Nils Kugelmann over the course of several live concerts. This was followed by intensive, collective discussions about the selection of pieces, arrangements, sound and dynamics. This meant that the trio was able to go into the studio perfectly prepared and, together with their producer, concentrate on the finer details and find the ideal versions of the pieces for the album. Andreas Brandis says: ‘Nils Kugelmann is not only an incredible bassist, but above all a great songwriter. And precisely because his music is so concise and catchy, it was important to reduce the pieces to their essence.’ All the compositions on the album have a cinematic quality, they are like short films about the lives of their protagonists. These ‘life scores’ draw inspiration from experiences on tour, such as a visit to the Galapagos Islands, but also from moods inspired by balmy summer evenings, the scent of the night, or the incomparable experience of love. These stories are there compositions, in clear, present melodies, in the groovy, flowing rhythm of a homogenous-sounding trio and also in the naturalness of melodic music. Because Nils Kugelmann not only wants to tell stories. He also wants to be heard and understood – by a broad audience and also by listeners of his own generation. ‘Life Score’ is a complex and captivating blueprint, showing us a new kind of film-like Gen Z jazz.