Verdi: Aida
Kristin Lewis (Aida), Fabio Sartori (Radames), Anita Rachvelishvili (Amneris), George Gagnidze (Amonasro), Carlo Colombara (Il Re), Matti Salminen (Ramfis), Teatro alla Scala, Zubin Mehta, Peter Stein
Verdi: I Due Foscari
Plácido Domingo (Francesco Foscari), Francesco Meli (Jacopo Foscari), Anna Pirozzi (Lucrezia Contarini), Teatro alla Scala, Michele Mariotti, Alvis Hermanis
Mozart: Die Zauberflöte, K620
Martin Piskorski (Tamino), Fatma Said (Pamina), Till von Orlowsky (Papageno), Yasmin Ozkan (Queen of the Night), Martin Summer (Sarastro), Theresa Zisser (Papagena), Accademia Teatro alla Scala Soloists, Choir and Orchestra, Ádám Fischer, Peter Stein
Mozart: Le nozze di Figaro, K492
Golda Schultz (Susanna), Markus Werba (Figaro), Diana Damrau (La Contessa), Carlos Álvarez (Il Conte), Marianne Crebassa (Cherubino), Teatro alla Scala, Franz Welser-Möst, Frederic Wake-Walker
Mozart: Die Entführung aus dem Serail, K384
Lenneke Ruiten (Konstanze), Mauro Peter (Belmonte), Sabine Devieilhe (Blonde), Maximilian Schmitt (Pedrillo), Tobias Kehrer (Osmin), Teatro alla Scala, Zubin Mehta, Giorgio Strehler
"FIVE OUTSTANDING OPERAS FROM THE LEGENDARY TEATRO ALLA SCALA:
AIDA: “A perfect coup de théâtre” (Giornale della musica). A “stellar cast” (La Stampa) /
I DUE FOSCARI: The Financial Times was deeply moved by Domingo’s performance, calling his interpretation of the role “sublime” /
DIE ZAUBERFLÖTE: Ádám Fischer “gets the best out of the Academy Orchestra with delicate execution and humane phrasing” (Die Presse) /
LE NOZZE DI FIGARO: “… when Diana Damrau enters as the Countess, we get a performance of special gravitas. Even the orchestra, under Franz Welser-Möst’s baton, melts to such grace.” (Financial Times) /
DIE ENTFÜHRUNG AUS DEM SERAIL: A „masterful use of light and silhouettes“ by Giorgio Strehler. (Milano Post) „Extraordinary, a wonder …“ (Corriere Della Sera)"