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Before Mozart - Early Horn Concertos (SACD)
 
17,90 €
 
Formát:
SACD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
BIS2315
 
 
EAN kód:
7318599923154
 
 
Autori:
Christoph Förster, Georg Philipp Telemann, Johann Baptist Georg Neruda, Joseph Haydn, Leopold Mozart
 
 
Interpreti:
Alec Frank-Gemmill, Nicholas McGegan, Swedish Chamber Orchestra
 
 
Vydavateľ:
BIS
 
 
Zoznam skladieb
Förster, C: Horn Concerto in E-Flat Major
11:54

Swedish Chamber Orchestra
Nicholas McGegan
Alec Frank-Gemmill (horn)
Recorded: February 2017
Recording Venue: Örebro Concert Hall, Sweden

I. Con discretione
5:05

II. Adagio
2:33

III. Allegro
4:16



Telemann: Concerto TWV 51:D8 in D major for horn, strings & b.c.
8:06

Swedish Chamber Orchestra
Nicholas McGegan
Alec Frank-Gemmill (horn), Roger Olsson (violin)
Recorded: February 2017
Recording Venue: Örebro Concert Hall, Sweden

I. Vivace
2:05

II. Largo
2:43

III. Allegro
3:18


Neruda, J B G: Horn Concerto in E-Flat Major
14:30

Swedish Chamber Orchestra
Nicholas McGegan
Alec Frank-Gemmill (horn)
Recorded: February 2017
Recording Venue: Örebro Concert Hall, Sweden

I. Allegro
5:31

II. Largo
4:24

III. Vivace
4:35


Mozart, L: Sinfonia da camera in D Major, LMW VII:D5
14:34

Alec Frank-Gemmill (horn), Urban Svensson (violin), Göran Fröst (viola), Linn Elvkull (viola), Mats Levin (cello), Peter Nitsche (double bass), Björn Gäfvert (harpsichord)
Recorded: February 2017
Recording Venue: Örebro Concert Hall, Sweden

I. Allegro moderato
5:53

II. Menuet - Trio
3:03

III. Andante
3:17

IV. Allegro
2:21


Haydn: Horn Concerto No. 1 in D major, Hob.VIId:3
16:53

Swedish Chamber Orchestra
Nicholas McGegan
Alec Frank-Gemmill (horn)
Recorded: February 2017
Recording Venue: Örebro Concert Hall, Sweden

I. Allegro
6:22

II. Adagio
6:19

III. Allegro
4:12
Popis
Mozart’s horn concertos are so well-known that for many listeners the sound of the horn and Mozart are virtually synonymous. Mozart was not the first composer to write solo concertos for the horn, however, and works from earlier on in the eighteenth century give a quite different perspective on the instrument. With this disc soloist Alec Frank-Gemmill provides insights into some of these early horn concertos, by composers ranging from Telemann to Haydn, by way of Mozart’s own father, Leopold. In the seventeenth century, when the horn first appeared in classical music, it was in the context of hunting scenes in operas by Lully, Cavalli and others. But the instrument’s true adoption into art music really began the following century in the German-speaking world, where Dresden for a while became the most important centre for performing on, and composing for, the horn. Around 1750, both Christoph Förster and Johann Baptist Georg Neruda wrote extremely demanding and virtuosic concertos – Neruda’s Concerto in E flat major is in such a high register that it has sometimes been assumed to be composed for the trumpet. Through modern innovations in horn design it is once more possible to perform all of these early horn concertos, including parts previously considered ‘impossibly high’. Alec Frank-Gemmill is recognised internationally for the exceptional breadth and depth of his music-making. His interest in historical performance informed his previous, highly acclaimed disc for BIS – a traversal of the horn repertoire throughout some 140 years, performed on four different 19th-century instruments. On the present disc he plays on modern horns, but draws heavily on his familiarity with 18th-century horn technique and style, with the support of the Swedish Chamber Orchestra under period performance expert Nicholas McGegan.
 
 
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