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Music For Bassoon and Piano
 
10,00 €
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
95761
 
 
EAN kód:
5028421957616
 
 
Autori:
Alex Nante, Alexandre Tansman, Camille Saint-Saens, Francisco Mignone, Henri Dutilleux, Paul Hindemith, Roger Boutry
 
 
Interpreti:
Carmen Mainer Martin
 
 
Vydavateľ:
BRILLIANT CLASSICS
 
 
Zoznam skladieb
Dutilleux: Sarabande et Cortège
7:27


Saint-Saëns: Bassoon Sonata in G major, Op. 168
13:31

Bassoon Sonata in G Major, Op. 168: I. Allegretto moderato
2:54

Bassoon Sonata in G Major, Op. 168: II. Allegro scherzando
4:01

Bassoon Sonata in G Major, Op. 168: III. Adagio - Allegro moderato
6:36


Tansman: Sonatine
8:21

Sonatine: I. Allegro con moto
2:23

Sonatine: II. Aria - Largo cantabile
3:05

Sonatine: III. Scherzo - Molto vivace
2:53


Boutry: Interference No. 1
9:40


Mignone: Aquela modinha que o vila não esreveu
1:46


Mignone: Mistério
2:06


Mignone: Valsa improvisada
3:07


Hindemith: Sonata for Bassoon and Piano
8:16

Bassoon Sonata: I. Leicht bewegt
2:01

Bassoon Sonata: II. Langsam - Marsch - Beschluss, Pastorale, Ruhig
6:15


Alex Nante: 8 Variaciones sobre la imagen de un sueño
12:37
Popis
A century of bassoon writing, from a French classic of the repertoire to an absorbing brand-new set of variations by a young Argentinian composer. With his characteristically deft economy of means, Henri Dutilleux explored the two characteristics of the bassoon that have defined it in popular imagination ever since Mickey Mouse whirled his broom in vain at the climax of Walt Disney’s cartoon realisation of The Sorcerer’s Apprentice: despite its sombre title, the Sarabande et Cortège of 1942 encloses both mournfulness and wit. So too, in no less concise terms, does the Sonatina of Tansman from a decade later. Dutilleux’s work opens this recital, but the earliest work here dates from two decades previously, the Sonata which captures in a nutshell the effortlessly easy-going charm of Saint-Saëns’s late music, composed with all the succinct mastery of expression to be expected of one who had never been short of a good tune for more than seven decades. Hindemith’s Sonata of 1938 is briefer still but a much darker work, anchored by a grave march-rhythm second movement which perhaps reflects the troubled times its composition. The value of Carmen Mainer Martín’s personal selection of repertoire lies in its diversity of styles. Listening to the album should banish forever any notion of the bassoon as a one- or two-note instrument alternating eccentrically between rubicund jollity and doleful introspection. There are three waltzes for solo bassoon by Francisco Mignone, one of the most talented Brazilian composers working in the generation after Villa-Lobos; and to finish, a remarkable set of variations (Ocho variaciones sobre la imagen de un sueño, from 2017) by the Argentinian Alex Nante, born in 1994. This is scored for the unusual combination of bassoon, flute and piano, and dedicated to the two wind-playing sisters on this recording. Born and raised in Spain, Carmen Mainer Martín now lives and works as both a teacher and performer in Paris. This highly accomplished debut recital on CD should carry her name to an international audience.
 
 
Prihlásenie
 
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